With the Vivaldi 270 and 370, the organist brings the experience of the pipe organ right into the living room. Infinite possibilities, authentic sound and lifelike reverb make the Vivaldi an undisputed jewel in the Johannus collection of digital organ marvels.
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With the Vivaldi 270 and 370, the organist brings the experience of the pipe organ right into the living room. Infinite possibilities, authentic sound and lifelike reverb make the Vivaldi an undisputed jewel in the Johannus collection of digital organ marvels. The concept is simple: an American base with a European touch. The introduction of the Johannus Vivaldi inaugurates a new era in home organ concepts.
There are many reasons the Vivaldi is unparalleled. Let’s start with its most important advantage. As an experienced organist, you are accustomed to playing imposing instruments. When you come home after a day of rehearsals, there’s such a huge difference between that spectacular sound and your home organ that you can’t bring yourself to play it for at least an hour. Sound familiar? Or you’re a passionate amateur organist who plays for the sheer fun of it. Ideally, you’d love to spend every day at the keys of a gorgeous pipe organ... but such a magnificent instrument is simply not available to you. With the Vivaldi 270 and 370, Johannus has bridged the gap between the pipe organ and the digital home organ once and for all. The instrument combines revolutionary technology with a breathtaking sound spectrum. Whether you need it for professional rehearsal or practicing in private, you no longer have to leave the comfort of your own home. In fact, you could even hold concerts and recitals in your own living room!
The new two-manual and three-manual Vivaldis are based on an advanced music technology concept. The phenomenal sound produced by these organs is generated by Real Time Sampling, the best technology for reproducing the original sound of a pipe organ. What you hear isn’t digital sound; instead, you get an authentic pipe organ timbre. Thanks to the integrated LIVEreverb system, it can even convey the acoustics of a resounding basilica. Choose one of twelve unique reverbs, from famous cathedrals and intimate chapels to modern churches.
The Vivaldi 270 and 370 include the elegant Johannus audio system. Although the Vivaldi 270 has fifteen speakers and the Vivaldi 370 has nineteen, we managed to integrate them all into the organ console itself, making external speakers completely unnecessary. The system brings the organist into both the presence and the enveloping power of the pipe organ.
Realistic Real-Time Sampled orchestral voices add a new dynamic music. Besides its 60 regular organ voices, the Vivaldi 370 includes a broad spectrum of additional orchestral voices, including a harp, a trumpet, a carillon, a gospel organ, a piano and strings. The 42 organ voices of the Vivaldi 270 have also been enhanced by the addition of orchestral voices. The high-quality integrated tweeters ensure that each individual instrument sounds its very best. The Vivaldi continues where the pipe organ leaves off.
But it gets even better! With the new Vivaldi, the organist has not one but four organs at his disposal. Both models come with four complete sample sets: American classic, symphonic, baroque and historical. The Vivaldi presents a subtle convergence of American and European musical traditions.
And that brings us back to where we started: the Vivaldi is an organ that builds bridges, seeks convergence and cohesion, combines possibilities. All these aspects unfold within the immutable quality standards offered by Johannus. Vivaldi continues where the pipe organ leaves off.
Overview
System | T9000 |
Manuals | 2 |
Voices | 42 |
Orchestral voices | 21 |
Ranks | 53 |
Couplers | 3 |
Tremulants | 2 |
Console
Height (excluding music desk) | 45 inch (114,5 cm) |
Height (including music desk) | 55 1/4 inch (140 cm) |
Width | 56 3/4 inch (144,5 cm) |
Depth (excluding pedal board) | 24 3/4 inch (63 cm) |
Depth (including pedal board) | 42 3/4 inch (108,5 cm) |
8 standard finishes on oak | • |
Other kind of wood or color | optional |
Wooden desk | • |
Adjustable desk | optional |
Desk lighting | optional |
Wooden roll cover | optional |
Synthetic keyboards (5 octaves) | • |
Synthetic keyboards with wooden core | optional |
Wooden keyboards (ebony/oak) with wooden core | optional |
Wooden swell shoes | 3 |
Brass toe studs | 5 |
32-note AGO pedal board with dark upper keys | • |
32-note AGO pedal board with plain upper keys | optional |
Illuminated pedal board | • |
Bench with lift lid | • |
Adjustable bench | optional |
MIDI (IN, MOD-out, SEQ-out) | • |
Aux In | • |
Aux Out | • |
Headphones | • |
Audio
Audio system | 4.1 |
Surround channels | 2 |
Tweeter channels | 2 |
Audio control | DEA™ |
Reverb channels | 4.1 |
LIVEreverb™, 12 lifelike reverbs | • |
Full-range amplifiers (80 Watt) | 6 |
Bass amplifier (170 Watt) | 1 |
Tweeter amplifiers (2 Watt) | 2 |
Loudspeakers | 15 |
Headphones/ Aux Out | SSE™ |
Functions
CAN (Cancel) | • |
REC (Recall) | • |
CF (Cantus Firmus) | • |
CH (Chorus) | • |
KT (Keyboard Transfer) | - |
MB (Manual Bass) | • |
MENU (Johannus Menu) | • |
S/S (General Swell) | • |
RO (Reeds Off) | • |
TRANS. (Transposer) | • |
Organ volume (infinitely variable) | • |
Reverb volume (infinitely variable) | • |
Sample styles | American Classic / Symphonic / Baroque / Historic |
Variations per style | Standard / Solo / Trio |
Levels | 75 |
General memory locations per level | 6 |
Divisional memory locations per level | 6 |
Presets (programmable) | T |
Demo songs | 14 |
Reverberation settings | • |
Temperaments | 11 |
Tuning (pitch) | • |
PEPC™ (programmable expression pedal configuration) | • |
General Crescendo | • |
Bellows simulator | • |
LiveTune™ | • |
Dynamic chiff | • |
All organ voices C-C# | • |
• = Standard - = not available
Open Diapason | 16' |
Subbass | 16' |
(SW) Lieblich Gedackt | 16' |
Octave | 8' |
Gedackt | 8' |
Violone | 8' |
Choralbass | 4' |
Rauschpfeife | IV |
Contra Trumpet | 16' |
Trumpet | 8' |
Clarion | 4' |
Great - Pedal | |
Swell - Pedal |
Double Diapason | 16' |
Open Diapason | 8' |
Flûte Harmonique | 8' |
Stopped Flute | 8' |
Flute Celeste | 8' II |
Gamba | 8' |
Octave | 4' |
Open Flute | 4' |
Twelfth | 2 2/3' |
Super Octave | 2' |
Mixture | V |
Contra Tromba | 16' |
Tromba | 8' |
Festival Trumpet | 8' |
Tremulant | |
Swell - Great |
Bourdon | 16' |
Diapason | 8' |
Rohrflute | 8' |
Viola di Gamba | 8' |
Vox Celeste | 8' |
Octave | 4' |
Koppelflute | 4' |
Salicional | 4' |
Flute Twelfth | 2 2/3' |
Waldflute | 2' |
Nazard | 1 1/3' |
Sesquialtera | II |
Scharff | III |
Contra Trumpet | 16' |
Trumpet | 8' |
Oboe | 8' |
Clarion | 4' |
Tremulant |
MIDI Great | |
MIDI Swell | |
MIDI Pedal |
Chimes | Flute | Panflute | Tuba | Trumpet | Oboe | Clarinet |
---|---|---|---|---|---|---|
Carillon | Piccolo | Chrysoglott | Horn | Trumpet alt. | Oboe alt. | Clarinet alt. |
Orch. Chimes | Recorder | Handbells | Timpani | Ranket 8' | Choir 1 | Choir 2 |